I can play some pretty technical stuff providing I have the time to learn it. I've been playing for 3 3/4 years now, and now I finally feel pretty competent. I once heard someone joke that Rock and Roll required the knowledge of 3 chords and the ability to spit. I think there's a pretty low standard of musical literacy, generally (at least in North America). With the bass you have to pay attention to the groove and really be immersed in the music, you are the foundation. You can kind of kick back sometimes while playing the guitar-you mess up and almost no one notices as long as you recover well. I'm a pretty good guitarist (blues, classic rock, hard rock, even country), but I'm just an adequate bass player. The bass is actually a really difficult instrument to masterI agree. I tried three numbers, flubbed all of them, was a total wreck, and I had three guitarists come up asking "dude! are you looking for a band?!" I didn't know whether to laugh or cry. Just for the hell of it, I played the open mic night once down at my local. Yet, I have never ceased to be amazed at the number of people who are amazed when I can sit down and bang out enough chords to accompany a song. I have a hard time reading sheet music, and my technique leaves much to be desired. I play piano/keyboard, and I do it, by my own admission, pretty poorly. Lets keep uploading the guitarpRon people! :mrgreen: I really like the idea of this thread, when I get my camera back (hopefully by tomorrow), I will post pics of my equipment. Guitar "skill" is a redundant thing to judge, but you can usually tell quickly what their musical intentions are. I'm not one to judge a player on what scales and techniques he/she has mastered (those people **** me off too :p). The worst thing is a lot of girls fall for it and are totally wooed by the BS! Most guys buy their guitar only to learn a few hit songs, and when they play them, they appear to be accomplished and "talented". It always sucks when image takes precedence. They seem to think thats all college girls need to be convinced. Go to a college dorm, and almost every guy seems to have an acoustic guitar. Im all for new people playing guitar, but so many people go to walmart, buy some piece of plywood guitar, and learn one green day song before proclaiming themselves accomplished musicians. I find the number of people that want to play guitar annoying.
not the best, but it's a tube amp, it was $200, and it's way better than the Peavey solid state i was using. I got a new amp this summer too, a Crate Blue Voodoo 60. really needs new pickups if i want to make it a decent guitar, the EMG Hz in them are so bland. all white including the back of the neck w/ rosewood fretboard, so it looks nice. it's a cheap Steinberger, but it's fairly reliable for what it is, and it's fun to play.
i wanna replace the pick guard but i can't think of anything that would look good on it. I play a G&L ASAT (Tribute :-| ) as my main guitar, it's tobacco burst with one of those ugly dark brown marbled pick guards. unfortunately i really don't have enough guitars to fill it. Hey matthew, did you make that stand out of PVC pipe and foam insulation? if so i did the same thing this summer. Maybe later I'll post a shot of an amp I built from scratch.
It was broken and I took it apart, repaired/restored it, and it works great. So when you hear FRFR around here, people are usually talking about something flattish enough to run amp and cab emulation to make their Marshalls sound Marshally and their Voxes sound Voxy.Some of my others and one of my 's an old 1940's National I bought off of eBay.
#Swing feel on tux guitar how to
Not all systems are made equally so none sound as such, but learning how to adapt your sound across all systems is a crucial skill that makes the "FRFR Debate" almost irrelevant.
#Swing feel on tux guitar full
There once existed large, tank-esque, multi-driver-loaded cabinets but those fell out of fashion quickly for more mobile, pieced-together solutions.Ī typical bi-amped 2-way active speaker commonly seen for the application in question (Headrush, Alto TS, Friedman ASC/ASM, QSC K, Jbl Eon, Yamaha DXR, Mackie Thump, etc.) has a Range of ~40hz-18khz with a common variation in response of anywhere between + or -3dB - That's a whopping 6db of variance! 3db is double the perceived volume, so these are neither Full Range nor Flat Response, but work well enough for amplifying an emulated mic'd amp/cab.
#Swing feel on tux guitar drivers
For that, you'd most likely need separate drivers for certain groups of frequencies to get a full spectrum of sound. FRFR implies full range of human hearing, 20hz-20khz.
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